It was as if I were seeking the nature of a verb which had no infinitive, only tense and mode (76).For you, it would be nothing but an indifferent picture, one of the thousand manifestations of the “ordinary” it cannot in any way constitute the visible object of a science it cannot establish any objectivity, in the positive sense of the term at most it would interest your studium: period, clothes, photogeny but in it, for you, no wound (73). the Winter Garden Photograph was indeed essential, it achieved for me, utopically, the impossible science of the unique being (71).an image that would be both justice and accuracy– justesse (70).the figure of a sovereign innocence (69).I never recognized her except in fragments (65).I could read my nonexistence in the close my mother had worn before I can remember her (64).Keywords: photography, punctum, studium, Death, air, noeme, satori, Look, affect, culture, interest, ecstasy, Desire Furthermore, he casts photographic evidence as a matter of being (deeper than the flatness of the photograph itself), with capabilities of capturing value of identity in expression, usually sans pose.
Through personal reflection and subjective observation, he sifts through studium to locate punctum. In the second part of Camera Lucida, Barthes’s reflection centers on his mother’s absence/presence as a means to get to the noeme of photography. Camera Lucida: Reflections on Photography.
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